Paperback $22.99 - Pan Macmillan Australia
Fiction - Published: 23/Jul/2019 - ISBN: 9781760784898
Kim Scott is a multi-award winning novelist. <i>Benang </i>(1999) was the first novel by an Indigenous writer to win the Miles Franklin Award and <b><i>That Deadman Dance</i> </b>(2010) also won Australia's premier literary prize, among many others. Proud to be one among those who call themselves Noongar, Kim is founder and chair of the Wirlomin Noongar Language and Story Project (www.wirlomin.com.au), which has published a number of bilingual picture books. <i><b>A Companion to the Works of Kim Scott</b> </i>(Camden House, 2016) deals with aspects of his career in education and literature. He received an Australian Centenary Medal and was 2012 West Australian of the Year. Kim is currently Professor of Writing in the School of Media, Culture and Creative Arts at Curtin University. From the two-times winner of the Miles Franklin Literary Award, comes a work charged with ambition and poetry, brutality and mystery about a young woman cast into a drama that has been playing for over two hundred years ... From Kim Scott, two-times winner of the Miles Franklin Literary Award, comes a work charged with ambition and poetry, in equal parts brutal, mysterious and idealistic, about a young woman cast into a drama that has been playing for over two hundred years ...
Taboo takes place in the present day, in the rural South-West of Western Australia, and tells the story of a group of Noongar people who revisit, for the first time in many decades, a taboo place: the site of a massacre that followed the assassination, by these Noongar's descendants, of a white man who had stolen a black woman. They come at the invitation of Dan Horton, the elderly owner of the farm on which the massacres unfolded. He hopes that by hosting the group he will satisfy his wife's dying wishes and cleanse some moral stain from the ground on which he and his family have lived for generations.
But the sins of the past will not be so easily expunged.
We walk with the ragtag group through this taboo country and note in them glimmers of re-connection with language, lore, country. We learn alongside them how countless generations of Noongar may have lived in ideal rapport with the land. This is a novel of survival and renewal, as much as destruction; and, ultimately, of hope as much as despair.
WINNER OF THE NSW PREMIER'S AWARD BOOK OF THE YEAR 2018
WINNER OF THE NSW PREMIER'S INDIGENOUS WRITER'S PRIZE 2018
WINNER OF THE UNIVERSITY OF QUEENSLAND FICTION BOOK AWARD 2018
WINNER OF THE VICTORIAN PREMIER'S LITERARY AWARD FOR INDIGENOUS WRITING 2019
SHORTLISTED FOR THE VICTORIAN PREMIER'S LITERARY AWARD FOR FICTION 2018
SHORTLISTED FOR THE PRIME MINISTER'S LITERARY AWARD FOR FICTION 2018
SHORTLISTED FOR THE COLIN RODERICK AWARD 2018
LONGLISTED FOR THE MILES FRANKLIN LITERARY AWARD 2018
LONGLISTED FOR THE ABIA LITERARY FICTION BOOK OF THE YEAR 2018
LONGLISTED FOR THE INDIE BOOK AWARDS FICTION 2018
LONGLISTED FOR THE INTERNATIONAL DUBLIN LITERARY AWARD 2019
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